a knitwear talk with aude regout

Autumn–Winter 025
 

Aude Regout has always been part of Rue Blanche. As the daughter of founder Marie-Chantal Regout, she grew up alongside the house. Today, she helps shape its direction as managing partner and creative director, working alongside her sister Astrid, CEO of the company. Autumn–Winter 2025 marks a new chapter: the first knitwear collection Aude designed together with her mother. Read our conversation about working across generations, creative trust, and what it means to carry a house forward through shared intuition and vision.

How did it feel to design the knitwear together with your mother? 

Autumn–Winter 2025 was the first knitwear collection we designed together, and it felt surprisingly natural. I was very aware of how much I still had to learn, but at the same time it felt like the right moment to step into that role.

What does collaboration look like between the two of you?

My mother brings her experience, her eye and her method, while I tend to work more on instinct. That difference creates a useful tension. It pushes us to question habits, while still building on what we already know.

What is your process together?

We always begin with colour, looking at the range of materials before any design work starts. From there, it becomes a dialogue around the garment itself: proportions, weight, how it should sit on the body. Ideas and references come up naturally as we test and adjust together.

How do you balance new ideas with being true to what Rue Blanche customers expect?

We stay very aware of the Rue Blanche identity: essential workhorses that remain part of the collection. These are the pieces our customers return for, which is also why certain designs come back season after season.

In that sense, each collection is a dialogue with the past, while we keep rethinking what comes next. From there, we allow ourselves a controlled sense of play: pieces that are less obvious, but still feel grounded.

How do you know when a knit is finished

When nothing keeps pulling your attention back, I guess, and when it feels like something you can actually wear. We first have to test the details, the volume, how it moves on the body. When you stop wanting to adjust it, that’s usually the moment you can accept that it’s finished.

When you start designing a collection, how much time in advance do you start? 

it’s a long arc, longer than people expect. For AW25 we started designing in August 2024.

Do you know in advance if something will definitely work

You develop a sense for it, but it’s never absolute. Pieces that are rooted in the Rue Blanche identity often have a certain coherence from the start, especially when the colours are right. Colour matters deeply to our customer. 

Beyond that, creativity comes from staying curious and taking in what’s around you, then translating it in your own way. In the end, you have to trust that process and do what feels right to you.

When you stop wanting to adjust it, that’s usually the moment you accept that it’s finished.

What does knitwear mean to Rue Blanche?

Knitwear has always been central to Rue Blanche. It’s one of the areas where our identity feels most precise. For many customers, it’s the starting point of their relationship with the brand.

What makes a piece of knitwear truly lasting?

Beyond quality of course, a truly lasting piece of knitwear is one that creates a connection. It’s about balance. The right shape, the right colour, the right feeling. It’s the piece you instinctively reach for because it fits effortlessly into your life and makes you feel like yourself.

We want people to feel like themselves, basically. Comfortable, but still chic.

There are considerably more mono-materials in this collection? Is this something we can expect more and more from Rue Blanche?

Yes, absolutely. We’re increasingly moving towards natural and mono-material fabrics. It’s a conscious choice: they’re not only more comfortable and long-lasting, but they also make the garments easier to care for and to recycle. You can definitely expect to see more and more of these materials at Rue Blanche in the future.

When do you feel most connected to the collection as it takes shape?

The moment the first samples arrive. Seeing the garments in front of you, the colours, the volume, the way they move, is when the collection truly starts to exist. It’s also a moment of adjustment. You immediately see what works, and what still needs refining.

If you could describe this season’s knitwear in three words, which would they be?

Tactile, grounded, fun.